來自台灣台北(1989-),就讀台大經濟系時因參與樂團而開始嘗試創作,曾加入法蘭黛(2009)與籌組可可床(2010-2011)與Hello Nico樂團(2012-2015)。退伍後與朋友一同經營Changee負責籌辦展演與教育推廣活動,也因此接觸到包含環境錄音、程式音樂等有別於過往經驗的創作形式。於倫敦攻讀音樂碩士時師事Patricia Alessandrini,嘗試將聲音藝術與新媒體創作結合。主要以聲音為創作媒介,作品大致上涵蓋但不限於電聲作曲、裝置、現場電子等形式。演出時常使用現成物與自製樂器,包含電子零件與回收物等,並透過Max/MSP程序自製影音效果。與藝術的交集,往往發生於日常生活中各種節奏化、規則化、抽象化的「音樂化」進程。  

近期主要關注與演算法作曲(Algorithm composing)、生成式音樂(Generative music)與資訊聲音化(Sonification)相關的主題。進行中的計畫,多關注於日常性的感知,延伸個體與所處環境間的交互關係,試圖討論人們如何聆聽、解讀與再現周遭聲響,乃至聲音如何介入空間的狀態。除創作外,亦廣泛參與教育推廣、跨界合作與表演藝術項目,文章散見於紙本與網路媒體。


Chi Po-Hao (1989-) is a musician and sound artist from Taipei, Taiwan. He had worked in the mainstream label for several years as songwriter and producer. In 2015, he finished his master degree at Goldsmiths College, the University of London in Studio Composition. His primary medium is sound, principally involving but not limited to live electronic, electroacoustic composition and installation. In live performances, he usually applied self-made tools, m4l devices, and found objects that based on electronics, recycled items, and junk. He has been granted residencies at V2_Institute of Unstable Media, Rotterdam and Cité Internationale des Arts, Paris, and has toured around Taipei, London, Bangor, Manchester, Rotterdam, Paris, Beijing, Yinchuan, Lanzhou, Shenzhen, Hong Kong and Gijon. 

Recently he is interest in the topics of algorithm composing, generative music and sonification. His undergoing works are mainly concerned about the sensing of rhythm and the interactions among perception, individual and environment, try to investigate how people hear, interpret and represent the sound surrounded us as well as how the sound intervene the space. He is now cooperating with NTU Art Center for "Open Windows Open Arts" with volunteer students to develop site-specific works in Social Science Building designed by Toyo Ito. The result will present in April 2017.